Audiences know when a filmmaker is going through the motions for a corporation. You can tell that Gunn and his team are having a blast, and that kind of thing can be infectious. It’s a film that’s playful in its action in ways that most modern blockbusters aren’t allowed to be. Gunn doesn’t just edge into adult territory with his violence, he embraces the R rating that Marvel would never give him, allowing limbs to be ripped from bodies and fates of his characters to usually come with a gross, sticky sound. On that note, this is the most insanely violent superhero blockbuster yet, making “ Deadpool” look kind of sweet. While it feels like “The Suicide Squad” is a rollercoaster without brakes, it’s actually a very well-calibrated action comedy, alternating humorous beats with bursts of intense violence. He never loses the characters in the action like so many poor modern blockbusters tend to do. A lot of chaos ensues.Ĭhaos is the key aesthetic choice here but directing this kind of sensory assault and not getting lost in the noise is much harder than it looks, and it's Gunn’s greatest accomplishment here.
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When this core is joined by Flag and Quinn, the movie really gets going, sending the team off to destroy a Nazi-era prison in the heart of the island where it turns out a powerful alien creature named Starro is being housed. They’re the real center of “The Suicide Squad” and they consist of the born leader Bloodsport ( Idris Elba), the blindly patriotic Peacemaker ( John Cena), the insecure Polka-Dot Man ( David Dastmalchian), the charming Ratcatcher 2 ( Daniela Melchior), and the unforgettable King Shark ( Sylvester Stallone), whose basic superpower seems to be his desire to eat his enemies (and possibly his friends if it comes to that). Take notes.Īt the same time that this group is heading into certain death, another collection is landing on an opposite beach, basically allowing team one to be the distraction.
We’re just getting started with characters. Going along to Corto Maltese on his first mission is Savant (Gunn regular Michael Rooker), who kind of leads the film at first. ( Nathan Fillion), Javelin ( Flula Borg), Mongal ( Mayling Ng), and the nightmare fuel called the Weasel ( Sean Gunn), which is a wide-eyed, six-foot, well, weasel. It’s led by the charismatic Rick Flag (a solidly heroic Joel Kinnaman, used much more effectively here) and the eternally twisted Harley Quinn ( Margot Robbie), but also includes the likes Captain Boomerang ( Jai Courtney), Blackguard ( Pete Davidson), T.D.K. Waller has assembled a crew to drop off the shore of a South American island called Corto Maltese.
She is in charge of what is essentially the Suicide Squad, a collection of superpowered criminals who are sent into battle with chips embedded in the back of their heads. You really don’t need to have seen the Ayer (and probably shouldn’t) but it’s also not entirely a fresh start.įor example, Viola Davis is one of the returning folks from the last film, once again playing Amanda Waller, the head of something called Task Force X. For the record, this is kind of half-sequel, half-reboot wherein some actors play the same characters but it’s also very much a standalone film. Gunn cleverly avoids many of the problems of the opening scenes of David Ayer’s take on this corner of the DC Universe by dropping a dozen or so characters into the action (thereby not giving us a repeat of that hour or so of introductions from the Ayer misfire).
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